Spoken Narratives, Villa Vertua Masolo, 2020, installation view
Spoken Narratives, Villa Vertua Masolo, 2020, installation view
Spoken Narratives, Villa Vertua Masolo, 2020, installation view
+30 02 82354344, 2020, glazed ceramic, spoken words
+30 02 82354344, 2020, glazed ceramic, spoken words
Reenactment (Urbino, Italy, ca. 1590; Catania, Italy, ca. 1762), 2020, graffiti on avocado tree branch
Reenactment (Pompei, Italy, 1789), 2020, graffiti on avocado tree branch
Reenactment (Pompei, Italy, 1789), 2020, graffiti on avocado tree branch, detail
+39 091 842 0027, 2019, tufo stone, spoken words. Curva Blu Open studio, Favignana, 2019
An island facing another island (who lands and who doesn’t), 2019, hand printed fabrics stretched on 5 canvases
Curva Blu Open studio, Favignana, 2019, installation view
Courtesy the artist and INCURVA. Photo: Ilaria Orsini
+39 09 18420042, 2019, bronze, cast glass, spoken words
+39 339 8458056, 2019, bronze, spoken words
+52 1 55 7668 6595, 2019, bronze, spoken words
Privilege is a condition that resists 3 generations – Spoken Sculpture #2 (single ACT), 2018, hand-printed fabric, oil paint, wood, bronze, spoken words
Quoting – Spoken Sculpture #5 (a monologue), 2018, bronze, plaster, rubber band,, spoken words
The hypothetical birth of architecture – Spoken Sculpture #8 (a freeze frame), 2019, canvas, oil paint, acrylic paint, brass, spoken words
Soleb Temple, Sudan, 1851, 2019, reenacted graffiti on avocado tree branch
Semna Temple, Sudan, 1849, 2019, reenacted graffiti on wall
Sedeinga Temple, Sudan, 2019, reenacted graffiti on wall
The narrator – Spoken Sculpture #3 (3 simultaneous events producing 2 possible stories), 2018, brass, canvas, wood, acrylic paint, spoken words
Ideal space for a performance (+39 01119620786), 2018, bronze, spoken words, 6’ 40’’
Script for a Scene with Six Spoken Sculptures, Kettle’s Yard, Cambridge, 2018, installation view
With regards to the care of horses: a love story, performance in three acts and one introduction; 2013/2018,Casa Tomada, Mexico City
With regards to the care of horses: a love story, performance in three acts and one introduction; 2013/2018,Casa Tomada, Mexico City
With regards to the care of horses: a love story, performance in three acts and one introduction; 2013/2018,Casa Tomada, Mexico City
Oxford University Church of St. Mary the Virgin, UK, 1811, 2018, reenacted scratch on a wall
Lettura per voci e silenzio, FLAT, Palazzo Cisterna, Turin, 2017
Racconto antiorario (6 constellations), 2017, still from video
Scripting Anticlockwise (Thinging part III), Pakt Amsterdam, 2017, installation view
Scripting Anticlockwise, 2017, 22 wood frames, hand prints on plastic, digital prints, hand dye fabric, aluminium bar, paper, a performance
Scripting Anticlockwise, 2017, 22 wood frames, hand prints on plastic, digital prints, hand dye fabric, aluminium bar, paper, a performance
Hunters and gatherers: script for four wanderings (chacra baboon, honeybees, spider monkeys, humans),2017, 4 scenes, 8 interchangeable frames with handmade prints and screen prints on plastic, dyed fabric, variable dimensions
Portrait of I (blue), 2017, still from video
Two points connected by a line or a line separating two stories (facts are fluid, series #01), 2017, a performance, a story, aluminum bars, C-print, hand-printed plastic on stretchers
Two points connected by a line or a line separating two stories (facts are fluid, series #01), 2017, a performance, a story, aluminum bars, C-print, hand-printed plastic on stretchers
One and Other, Zabludowicz Collection, London, 2017, installation view
One and Other, Zabludowicz Collection, London, 2017, installation view
2 battaglie ed 1 guerra (extract), performance with 3 texts and a 22m hand-printed canvas fabric, 2016, Istituto Svizzero, Milan
Ideal space for a performance, ongoing series, linoprint on paper, 38 x 60 cm
Ideal space for a performance, ongoing series, linoprint on paper, 38 x 60 cm
Ideal space for a performance, ongoing series, linoprint on paper, 38 x 60 cm
The melody is in the eye (words are just the left hand), performance with 2 actors arguing and a 3m wooden pole, Artissima 22, Turin, 2015
The melody is in the eye (words are just the left hand), performance with 2 actors arguing and a 3 m wooden pole, Artissima 22, Turin, 2015
The Protagonist, 2015, video
The Protagonist, 2015, video
The Protagonist, 2015, performance
The Protagonist, 2015, Piano Nobile, Geneva, installation view
The Protagonist, 2015, Piano Nobile, Geneva, installation view
The Protagonist, 2015, Piano Nobile, Geneva, installation view
Fig.2, 2015, performance
(poema), 2015, performance with Nat Cary
(poema), 2015, performance with Nat Cary, Norma Mangione Gallery, Turin
(poema), 2015, installation view, Norma Mangione Gallery, Turin, variable dimension
Untitled (poema), 2015, b/w photograph, 40 x 60 cm
Los Barbaros, 2015, video
Los Barbaros, 2015, video
Los Barbaros, 2015, video
The thing in the middle, 2014, performance with Rebecca Birch
The Malady of Telling and Being Told, 2014, video
The Malady of Telling and Being Told, 2014, video
20 scenarios for Rue de l’Abbaye, 2014, double-sided screen-print on paper, 75 x 50 cm
La Debacle, 2014, video
La Debacle, 2014, video
Seriously now… laugh!, 2013, video
Seriously now… laugh!, 2013, video
Seriously now… laugh!, 2013, performance
Frank!, 2013, installation view
Frank!, 2013, installation view
Scenario (Pineapples), 2012, pineapple plaster cast and speaker, variable dimension
Everything is going just fine…, 2012, c-print, stool, spray paint, avocado, cricket ball, variable dimension
Writing methods for hands and windows, 2012, performance