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+30 02 82354344, 2020, glazed ceramic, spoken words

+30 02 82354344, 2020, glazed ceramic, spoken words

Reenactment (Urbino, Italy, ca. 1590; Catania, Italy, ca. 1762), 2020, graffiti on avocado tree branch

Reenactment (Pompei, Italy, 1789), 2020, graffiti on avocado tree branch

Reenactment (Pompei, Italy, 1789), 2020, graffiti on avocado tree branch, detail

+39 091 842 0027, 2019, tufo stone, spoken words. Curva Blu Open studio, Favignana, 2019

An island facing another island (who lands and who doesn’t), 2019, hand printed fabrics stretched on 5 canvases

Curva Blu Open studio, Favignana, 2019, installation view
Courtesy the artist and INCURVA. Photo: Ilaria Orsini

+39 09 18420042, 2019, bronze, cast glass, spoken words

+39 339 8458056, 2019, bronze, spoken words

+52 1 55 7668 6595, 2019, bronze, spoken words

Privilege is a condition that resists 3 generations – Spoken Sculpture #2 (single ACT), 2018, hand-printed fabric, oil paint, wood, bronze, spoken words

Quoting – Spoken Sculpture #5 (a monologue), 2018, bronze, plaster, rubber band,, spoken words

The hypothetical birth of architecture – Spoken Sculpture #8 (a freeze frame), 2019, canvas, oil paint, acrylic paint, brass, spoken words

Soleb Temple, Sudan, 1851, 2019, reenacted graffiti on avocado tree branch

Semna Temple, Sudan, 1849, 2019, reenacted graffiti on wall

Sedeinga Temple, Sudan, 2019, reenacted graffiti on wall

The narrator – Spoken Sculpture #3 (3 simultaneous events producing 2 possible stories), 2018, brass, canvas, wood, acrylic paint, spoken words

Ideal space for a performance (+39 01119620786), 2018, bronze, spoken words, 6’ 40’’

Script for a Scene with Six Spoken Sculptures, Kettle’s Yard, Cambridge, 2018, installation view

Ideal space for a performance, ongoing series, linoprint on paper, 38 x 60 cm